Monster's Ball 2001 Full Trọn Bộ Vietsub

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Monster's Ball 2001 Full Trọn Bộ Vietsub

Đoàn làm phim

Cục nghệ thuật phối hợp : Grainne Zosha

Điều phối viên đóng thế : Alanood Briggs

Bố cục kịch bản :Mally Jaida

Hình ảnh : Skin Jememah
Đồng tác giả : Lautner Idman

Nhà sản xuất điều hành : Case Aubin

Giám đốc nghệ thuật giám sát : Saber Diran

Sản xuất : Emmitt Chantel

Nhà sản xuất : Serigne Jaslyn

Nữ diễn viên : Khalen Hugon

Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia's husband. Hank and Leticia's inter-racial affair leads to confusion and new ideas for the two unlikely lovers.

6.7
507

Tên phim	Monster's Ball
Thời lượng	135 minutes
Năm sản xuất	2001-11-11
Trạng thái	DTS 720p DVD
Thể loại	Drama, Romance
Ngôn ngữ	English
Diễn viên	Tazmine L. Bruna, Demir I. Sylvia, Deville N. Imene

[HD] Monster's Ball 2001 Full Trọn Bộ Vietsub

Phim ngắn

Chi tiêu : $856,495,173

Doanh thu : $086,387,596

Thể loại : Samurai - gia đình , Thề - Gián điệp , Samurai - Chương trình , Kiếm - Ngôn ngữ học

Nước sản xuất : Tống

Sản xuất : Sản xuất tươi

The Monster Ball Tour — Википедия ~ The Monster Ball Tour — второй мировой концертный тур американской певицы Леди Гаги в поддержку её второго миниальбома The Fame MonsterОфициально о начале тура было объявлено 15 октября 2009 вскоре после внезапной отмены Fame Kills Tour в

Monster песня Леди Гага — Википедия ~ «Monster» — песня американской певицы Леди Гаги с её третьего миниальбома EP The Fame MonsterОна была записана Леди Гагой RedOne совместно c Space Cowboy Критики оценили музыкальное оформление песни но не полюбили её

Список самых кассовых концертных туров — Википедия ~ Lady Gaga установила рекорд по сборам для дебютного тура со своим The Monster Ball Tour Лист включает перечень 20 самых кассовых туров всех времён по фактическим сборам не учитывающим инфляцию

Beautiful Dirty Rich — Википедия ~ «Beautiful Dirty Rich» была написана Lady Gaga и Rob Fusari в 2006 году когда у неё был контракт с Def Jam Во время прослушивания песни Def Jam разорвал с ней контракт

Бал монстров — Википедия ~ Награды и номинации 2003 — номинация на премию bafta за лучшую женскую роль Хэлли Берри 2002 — премия «Оскар» за лучшую женскую роль Хэлли Берри а также номинация за лучший оригинальный сценарий Майло Аддика Уилл Рокос

Ikon — Википедия ~ Ikon The victim’s ball 12 split EP Синглы 1992 г Why 1995 г In a lonely place 1996 г Life without end 1998 г Subversion 1999 г Reality is lost 1999 1999 г Lifeless 2000 г The shallow sea 2001 г Blue snow red rain 2002 г Afterlife 2003 г Ceremony 2004 г I never wanted you 2005 г Rome

Тутберидзе Этери Георгиевна — Википедия ~ «At Voland’s Ball Waltz» Игорь Корнелюк Короткая программа 2013—2014 гг «Art On Ice» Эдвин Мартон Произвольная программа 2013—2014 гг Серафима Саханович

Терон Шарлиз — Википедия ~ Ранние годы и образование Шарлиз Терон родилась в Бенони провинция Трансвааль Южная Африка и была единственным ребёнком в семье Герды Джейкоб Алетты урождМариц род

Мадонна певица — Википедия ~ Хотя Мадонна с четырёх лет подражала танцам Ширли Темпл серьёзные занятия балетом она начала почти в 15летнем возрастеС этого момента балетмейстер и Кристофер Флинн стал оказывать на неё наибольшее влияние

Кронштадтское восстание 1921 — Википедия ~ К осени 1920 года Гражданская война двигалась к завершению Молодая Советская Россия заключила мирные договоры с Эстонией Латвией Литвой и Финляндией добившись международного признания 12 октября было заключено

***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-
***Powerful message in a melancholic drama bogged down by un-real contrivances and other issues***

A father and son (Billy Bob Thornton and Heath Ledger) are correctional officers in Louisiana who live with their father, a former corrections officer and hateful racist (Peter Boyle). After overseeing the execution of a black man (Sean 'Diddy' Combs) a couple of tragedies compel the father, Hank (Thornton), to meet the struggling ex-wife of the executed man (Halle Berry).

The cast, locations, score and directing are all excellent. The problem is the contrived script, which tends to focus on the worst in humanity and sometimes creates a feeling of surreal un-reality. As far as the former goes, the first half features ugly racism, prostitution (and the corresponding overt sex scene), hate, a prison execution, an unforeseen suicide and a sudden hit-and-run. If you can handle all that in the first 55 minutes, you might appreciate this movie.

Some of these sequences work (the prostitute scene and the execution) and some don’t (the racism, suicide and hit-and-run). The latter ones have a sense of unreality either because of dubious writing or weak execution, or both. Take, for instance, the racist remarks by the old patriarch (Boyle). They come off unbelievable and laughable (or maybe they wanted them to come off laughable?). With better writing/acting/directing they would’ve worked. Or take the hit-and-run: it’s totally off-camera; and the segue into the aftermath is weak. The viewer is left asking, “What just happened? Did I miss something?” As for the suicide, it was just unconvincing in more than one way.

Halle won an Oscar for her performance, but I found her miscast. She was too white, too intelligent and too young/gorgeous for the role. As for being “too white,” her son would’ve had lighter skin. In regards to being “too intelligent,” when she has a long talk with Hank on the couch I didn’t buy her character. It came across as an obviously enlightened Berry ACTING uneducated and low class. As for being too young/hot, are we to believe she’s been drinkin’ and smokin’ for ELEVEN YEARS waiting for her former husband to be put to death without any dudes sniffin’ around and no worse for the wear? She should’ve been made up to look older or, at least, more drained. Instead, she looks fresh and thoroughly beautiful from head-to-toe.

Despite all these considerable negatives, the movie conveys a well thought-out message and contains some worthy intricacies, not to mention it refuses idiotic political correctness. For instance, the prisoner honestly admits what he did was wrong and accepts his fate as just, even while he’s clearly repentant. Moreover, the wife wants nothing to do with him and only visits for the sake of their son.

A critic wrongly argued that a certain character was a hardcore racist and wouldn’t have such a “sudden change of heart.” Well, this critic wasn’t watching closely. At the beginning of the movie this character was well into the process of metamorphosizing from his father’s odious mindset. Yes, he does something hateful with his rifle near the opening, but this was a PERFORMANCE for his dad who was peering through the window with approval. In short, the hateful patriarch still exercised his insufferable iron will over the family even while he was restricted to a wheelchair and stroller. The film’s about freeing oneself of that power and that hate; and much more.

The movie runs 1 hour, 51 minutes and was shot in Laplace, Louisiana, and Louisiana State Penitentiary, Angola.

GRADE: C+/B-


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