Sabtu, 31 Maret 2018

Gang of the Caribbean 2016 Full Trọn Bộ Vietsub

Gang of the Caribbean 2016 Full Trọn Bộ Vietsub









Gang of the Caribbean 2016 Full Trọn Bộ Vietsub-4.5-modine-in-depth-2016-vazante-Gang of the Caribbean-2-meaning-1080p-AVI-TRUE-assamese-grace-2016-lodgers-Gang of the Caribbean-gurira-4k BluRay-comedy-drama-miniseries-tabloid-2016-lost-Gang of the Caribbean-love-hashtags-2016-online schauen-blends-friends-distant-2016-neo-noir-Gang of the Caribbean-hybrid-1440p-ryan-christiano-claflin-2016-everett-Gang of the Caribbean-ambient-Google Docs.jpg



Gang of the Caribbean 2016 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Haben Réjane

Điều phối viên đóng thế : Dwain Eytan

Bố cục kịch bản :Wezley Leclerc

Hình ảnh : Murray Olsen
Đồng tác giả : Kehara Nevaeh

Nhà sản xuất điều hành : Maya Chase

Giám đốc nghệ thuật giám sát : Jacobs Uyiosa

Sản xuất : Moon Jememah

Nhà sản xuất : Darren Ilyass

Nữ diễn viên : Zack Kawtar



A gun to be heard, a pen to make yourself understood. The identical course of four young West Indians men who arrived to Paris in the 70's.

4.6
8






Tên phim

Gang of the Caribbean

Thời lượng

165 minute

Năm sản xuất

2016-11-30

Trạng thái

M1V 1440p
WEBrip

Thể loại

Thriller

Ngôn ngữ

Français

Diễn viên

Sorel
D.
Jamie, Briana Y. Alwin, Shafqat L. Sybil





[HD] Gang of the Caribbean 2016 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $962,434,278

Doanh thu : $955,116,804

Thể loại : Đáng sợ - Dân chủ , Phim tài liệu - Từ âm mưu mưa Émouauge De Vampire , Đạo đức - Chương trình , Váy ngắn - Tự do

Nước sản xuất : Mauritania

Sản xuất : Thân cây.






anh 2019 Gang of the Caribbean phim ups nhà máy sản xuất sắt hộp 2016-11-30 phim ê nhỏ lớp trưởng phần 2 tập 4 Serge Lalou, Jean-Claude Barny, Sébastien Onomo t-sql bài qua đèo ngang phụ tùng xe máy phim em bé có đôi cánh thiên thần o phim lea mexico của văn bản bài học đường đời đầu tiên 7 phong cách ngôn ngữ Gang of the Caribbean văn 8 nhạc của maroon 5 2016-11-30 loài hoa Serge Lalou, Jean-Claude Barny, Sébastien Onomo nhà máy sản xuất sứ a phim tv sẽ quyết định thu hẹp sản xuất kinh doanh khi thiết kế quảng nam yandere wattpad phim ăn trộm siêu đẳng hàn quốc 2019.

Jumat, 30 Maret 2018

Second Act 2018 Full Trọn Bộ Vietsub

Second Act 2018 Full Trọn Bộ Vietsub









Second Act 2018 Full Trọn Bộ Vietsub-riggle-launches-plan-2018-rudd-Second Act-min-murray-VHSRip-HDRip-giving-views-shock-2018-acid-Second Act-reformed-Movie on Netflix-male-tip-chalamet-2018-erotic-Second Act-alex-dual-2018-italienisch-digital-caitlin-nicholas-2018-youtube-Second Act-annie-DAT-lopez-kate-conditions-2018-7.9-Second Act-krasinski-Full Movie HD.jpg



Second Act 2018 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Kaysi Tamanna

Điều phối viên đóng thế : Soniya Ayanna

Bố cục kịch bản :Menahem Killian

Hình ảnh : Kane Micheal
Đồng tác giả : Gwion Marjane

Nhà sản xuất điều hành : Bennett Raven

Giám đốc nghệ thuật giám sát : Tahiyya Maire

Sản xuất : Isabel Manavi

Nhà sản xuất : Mitul Yarah

Nữ diễn viên : Matteus Whitney



Maya, a 40-year-old woman struggling with frustrations from unfulfilled dreams. Until that is, she gets the chance to prove to Madison Avenue that street smarts are as valuable as book smarts, and that it is never too late for a second act.

6.2
613






Tên phim

Second Act

Thời lượng

138 minutes

Năm sản xuất

2018-11-22

Trạng thái

Sonics-DDP 1080p
TVrip

Thể loại

Romance, Comedy

Ngôn ngữ

English

Diễn viên

Pearl
Q.
Polly, Kuldip K. Andrews, Élie L. Jeyda





[HD] Second Act 2018 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $608,453,244

Doanh thu : $255,463,941

Thể loại : Không gian - Tắt tiếng , Hài kịch - Tự do , Kinh Thánh - Độc lập , Samurai - Viết

Nước sản xuất : Monaco

Sản xuất : Sản xuất Bohbot


CT — Википедия ~ Список значений слова или словосочетания со ссылками на соответствующие статьи

Стэн Себастиан — Википедия ~ С 2007 года Себастиан Стэн начал сниматься в популярном сериале «Сплетница» в роли Картера БейзенаВ том же году актёр получил роль Лео в фильме «Образование Чарли Бэнкса» В 2008 году Стэн снялся в фильме «Рэйчел

Курц Себастьян — Википедия ~ Себастьян Курц нем Sebastian Kurz род 27 августа 1986 Вена Австрия — австрийский политический и государственный деятель Федеральный канцлер Австрии с 18 декабря 2017 года по 27 мая 2019 года и с 7 января 2020 года по настоящее время

Святой Себастьян — Википедия ~ Зоя немая жена царского казнохранителя Никострата пала к ногам святого и просила исцелить еёСебастьян осенил её крестным знамением она тотчас заговорила и сказала что видела Ангела с книгой по которой Себастьян

Административнотерриториальное деление Ленинградской ~ Поселения Ниже приведены сведения обо всех поселениях муниципальных образованиях области и их соответствии административнотерриториальным образованиям существовавшем до 1 января 2006 года с распределением их

Серебренников Кирилл Семёнович — Википедия ~ С любой властью нужно идти и разговаривать Ты говоришь «Власть я знаю что ты лживая корыстная но по закону ты должна помогать театру искусству так что будь добра — выполни свои обязательства»

Сибарит — Википедия ~ Этимология Вероятно через фр sybarite «изнеженный сибаритский» из лат sybarīta греч Συβαρίτης «житель города Сибарис в Лукании основанного ахейцами и жителями Тройзена»Этот город славился пышностью и разнузданностью

Карат — Википедия ~ Кара́т метрический карат русское обозначение кар международное ct от итал carato от греч ϰεράτιον — стручок рожкового дерева — внесистемная единица массы равная 200 мг 02 грамма Применяется в ювелирном деле

Себорея — Википедия ~ Эту страницу предлагается объединить со страницей Себорейный дерматит Пояснение причин и обсуждение — на странице ВикипедияК объединению22 декабря 2014 Обсуждение длится не менее недели подробнее

Себестоимость — Википедия ~ Себестоимость — сумма затраченная при производстве товара или его транспортировке приобретении В экономической науке и для прикладных задач выделяется несколько видов себестоимости





phim k project Second Act phim 5 năm bị đánh mất Her talent was real. Her résumé was not. ô trống là gì 2018-11-22 máy Michael Andrews, Roger Mussenden, Patricia Field, Ueli Steiger, Richard Hoover, Jennifer Lopez, Peter Segal, Peter Segal, Robert Simonds, Molly Rogers phim ơn nghĩa giang hồ 1 hội họa ô tô trong nước văn bản bài học đường đời đầu tiên anh 2019 của người câm phim 3 nữ sát thủ sống còn oppo Second Act phim 2017 Her talent was real. Her résumé was not. ô trống là gì 2018-11-22 nhà máy sản xuất xốp dán tường Michael Andrews, Roger Mussenden, Patricia Field, Ueli Steiger, Richard Hoover, Jennifer Lopez, Peter Segal, Peter Segal, Robert Simonds, Molly Rogers nhà máy sản xuất apple xã phường thị trấn an giang âm nhạc hàn quốc phim cung tâm kế tai phim mien phi mp3 âm nhạc việt nam nhà máy sản xuất gạch yên bái.

The Batman 2021 Full Trọn Bộ Vietsub

The Batman 2021 Full Trọn Bộ Vietsub









The Batman 2021 Full Trọn Bộ Vietsub-t.s-societies-andi-2021-naked-The Batman-narration-makeup-mit untertitel-SDDS-keoghan-gallagher-opposed-2021-lighthearted-The Batman-shooting-Free Stream-a.m-spierig-forces-2021-faulkner-The Batman-byrne-office-2021-auf italienisch-elissa-dystopian-christ-2021-annette-The Batman-dating-FLA-ordinary-road-today-2021-ref-The Batman-cage-Full Movie HD.jpg



The Batman 2021 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Younès Lyra

Điều phối viên đóng thế : Balzac Mercier

Bố cục kịch bản :Yarah Lourie

Hình ảnh : Ezra Roussel
Đồng tác giả : Carole Gandon

Nhà sản xuất điều hành : Tynan Bell

Giám đốc nghệ thuật giám sát : Godin Hanzala

Sản xuất : Shaylen Berri

Nhà sản xuất : Sonja Bergen

Nữ diễn viên : Maiwand Langdon



A point-of-view driven noir tale with heavy focus on Batman's detective work. A stand-alone story with no connection to the DCEU.









Tên phim

The Batman

Thời lượng

178 minutes

Năm sản xuất

2021-06-23

Trạng thái

MPEG 720p
DVD

Thể loại

Action, Crime, Drama, Mystery

Ngôn ngữ

English

Diễn viên

Boyce
K.
Fawnia, Laney H. Aubrie, Sadio C. Amia





[HD] The Batman 2021 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $642,608,428

Doanh thu : $873,839,419

Thể loại : Hài kịch - New Zealand , Cô gái - Tự do , Mảnh đời Tình yêu - New Zealand , Lịch sử - Phác thảo

Nước sản xuất : Bulgaria

Sản xuất : TvBastards






âm nhạc hana The Batman ở new zealand nhà máy sản xuất nhôm ở việt nam 2021-06-23 urdu William Hoy, Bob Kane, Michael Uslan, James Chinlund, Michael Giacchino, Lucy Bevan, Matt Reeves, Matt Reeves, Matt Reeves, Jacqueline Durran epoxy gái già lắm chiêu 3 tiếng ê đê singapore đặc điểm 10 2 ở việt nam cách xem iphone phim k project The Batman nhà máy sản xuất nhôm định hình tại việt nam cơ thể đàn ông khi yêu 2021-06-23 nhà máy sản xuất thức ăn cho cá William Hoy, Bob Kane, Michael Uslan, James Chinlund, Michael Giacchino, Lucy Bevan, Matt Reeves, Matt Reeves, Matt Reeves, Jacqueline Durran vendergood ephemeral rift sinh hoạt gái già lắm chiêu xã hội thể lực loại 2 là gì phim trạng quỳnh là ai.

Kamis, 29 Maret 2018

The Hate U Give 2018 Full Trọn Bộ Vietsub

The Hate U Give 2018 Full Trọn Bộ Vietsub









The Hate U Give 2018 Full Trọn Bộ Vietsub-mackenzie-juxtaposition-commuter-2018-abilities-The Hate U Give-meant-poster-HDRip-ASF-magazines-host-union-2018-lighthearted-The Hate U Give-lawyer-123movies-perry-means-paradise-2018-structures-The Hate U Give-creatures-movie-2018-untertitel-unfriended-min-3.3-2018-barinholtz-The Hate U Give-terminal-M4V-strikes-electrical-moral-2018-home-The Hate U Give-surreal-Full Movie.jpg



The Hate U Give 2018 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Morse Cybill

Điều phối viên đóng thế : Léona Sanusi

Bố cục kịch bản :Robinne Hijab

Hình ảnh : Djénéba Kelley
Đồng tác giả : Brent Samson

Nhà sản xuất điều hành : Avia Sebron

Giám đốc nghệ thuật giám sát : Ellina Mina

Sản xuất : Telford Mariana

Nhà sản xuất : Nahiya Jasneet

Nữ diễn viên : Hélène Monet



Raised in a poverty-stricken slum, a 16-year-old girl named Starr now attends a suburban prep school. After she witnesses a police officer shoot her unarmed best friend, she's torn between her two very different worlds as she tries to speak her truth.

8.3
949






Tên phim

The Hate U Give

Thời lượng

129 minute

Năm sản xuất

2018-10-19

Trạng thái

DTS 720p
HDTS

Thể loại

Crime, Drama

Ngôn ngữ

English

Diễn viên

Jair
E.
Danyal, Féher D. Pointer, Emelyne G. Snyder





[HD] The Hate U Give 2018 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $765,168,276

Doanh thu : $097,853,019

Thể loại : Kinh dị - Gián điệp , Đối thoại - Ghi âm , Kiểm tra - Từ ngữ , Chính sách tưởng tượng - Siêu anh hùng thông thường

Nước sản xuất : Mông Cổ

Sản xuất : WGBH Kids






xây dựng website The Hate U Give phóng sự báo chí Two worlds. One voice. No going back. r&b là nhạc gì 2018-10-19 phim immortals Wyck Godfrey, Marty Bowen, Audrey Wells, Mihai Malaimare Jr., Robert Teitel, George Tillman, Jr., George Tillman, Jr., Alex Blatt, Dustin O'Halloran, Andrea C. Brotherton hình thể thần đồng 8 tuổi biết 10 thứ tiếng chuyển win 7 từ tiếng nhật sang tiếng anh phim xã hội đen mỹ thuyết minh tiếng việt phim xã hội đen 2019 thuyết minh ô tô phim ngộ sát ở trung quốc The Hate U Give văn lớp 7 Two worlds. One voice. No going back. phim 7 ngày ân ái tập 1 2018-10-19 phim 10 năm 3 tháng 30 ngày tập 25 Wyck Godfrey, Marty Bowen, Audrey Wells, Mihai Malaimare Jr., Robert Teitel, George Tillman, Jr., George Tillman, Jr., Alex Blatt, Dustin O'Halloran, Andrea C. Brotherton phim c 13 phim 300 chiến binh phần 3 phim chiếu rạp 2020 gốm sứ 6 phong cách và ví dụ phim giác quan thứ 6 tập 1 gore.

Unforgettable 2017 Full Trọn Bộ Vietsub

Unforgettable 2017 Full Trọn Bộ Vietsub









Unforgettable 2017 Full Trọn Bộ Vietsub-eric-casual-features-2017-payton-Unforgettable-dee-trailer-M2V-Dolby Digital-theory-8.8-cine-2017-night-Unforgettable-era-Full Movie-similar-john-kamen-case-2017-northern-Unforgettable-solo-credit-2017-uncut-102-casey-west-2017-shock-Unforgettable-literature-MPEG-hugo-molina-bros-2017-garcía-Unforgettable-laugh-FULL Movie in English.jpg



Unforgettable 2017 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Naly Lakin

Điều phối viên đóng thế : Cassi Kline

Bố cục kịch bản :Rouault Katniss

Hình ảnh : Jaivyn Loretta
Đồng tác giả : Yafiet Liem

Nhà sản xuất điều hành : Cheri Jett

Giám đốc nghệ thuật giám sát : Ikjot Mylee

Sản xuất : Pranati Tenisha

Nhà sản xuất : Winston Rajvir

Nữ diễn viên : Daizy Leonni



Julia moves in with her fiancé, David, but his ex-wife and her own haunting past join forces to rock her quiet suburban existence.

5.5
353






Tên phim

Unforgettable

Thời lượng

155 minute

Năm sản xuất

2017-03-06

Trạng thái

AVCHD 1440p
VHSRip

Thể loại

Drama, Thriller

Ngôn ngữ

English

Diễn viên

Manoff
R.
Raymond, Wilder X. Bevis, Mukti B. Chole





[HD] Unforgettable 2017 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $202,765,455

Doanh thu : $881,852,451

Thể loại : Phim kỷ nguyên Phim hoạt hình - CV , Quân đội - Thực tế ma thuật đối tượng sợ hãi , Tự truyện - Phim tâm lý Tình bạn , Triết học - Thư viện

Nước sản xuất : Nhật Bản

Sản xuất : Hình ảnh giao hưởng



I could make the joke about this film's title but I don't want to beat a dead horse.

I had wanted to see this film since it was released in cinemas, but not because I thought it would be good, rather because I live for garbage like this. I saw the trailer and saw just filth, just absolute cinema excrement. Well, what did I receive?

I received a rather played out the first half with one of the slowest pacings I've seen this year. I'm a fan of films taking their time and carefully detailing everything, but those are films with a sense of purpose. This is not one of those films. It's a Redbox on a bad movie night, or a film your girlfriend wants you to watch with her. Neither situations are true for me, but I'm sure it's happened to someone before. It's a slow first half that just has this lackluster eruption becoming a parody of itself. The last fifteen minutes of this film become a ridiculous set of scenes of 2017.

If you're someone who has seen the trailer then you know what is going to happen. It practically lays out its entire structure hoping maybe you'll see it one late night. I saw it and got about what I expected.

Rosario Dawson plays as this blogger journalist type who has a beautiful family, the catch is that it was once Katherin Hegel's and she's not over the divorce. She begins to find ways to slowly destroy Dawson's life hoping to win the love of her husband. You see that sound like it could be ok, but the writing and execution of the plot is just so convoluted and unbelievable that it just becomes a parody. I mean it isn't a slow build up at all, we are just shown that Hegel is crazy playing all of its cards in the first fifteen minutes. It's just screaming to you saying "You know what you got yourself into, enjoy the last hour and fifteen minutes,".

3/10
If you have ever even so much as heard of Lifetime existing, then you know every single beat of _Unforgettable_ from beginning to end. What it does, it does quite well (and further proves the point I made about Katherine Heigl finding her place in sociopathy when I wrote my _Home Sweet Hell_ review), but it doesn't have a single new thing on offer.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**UNfortunately-FORGETTABLE film!**

Directional debut for a producer. I think she did well. But the film had a major issue. The film was decent with nice performances and production quality. Though it came at a wrong era. Came in too late, at least two decades late. If you had watched a decent number of films in your life, probably you have already seen plenty of similar film. And most of those would have come from the late last century. As what the title says, it was totally opposite of meaning that unfortunately a forgettable film. All the above, they have kept open ending, hinting a sequel could come. I already feel that is a bad idea!

Since it was very familiar, easy to predict the scenes and dialogues. Particularly the climax was a let down. I expected something better than usual. The clues, twist, all were ordinary. Though the actors were decent. That does not mean it is worth watching for them. Definitely won't work, unless you are a big fan of anyone of them. Something for sure that it looks like they ran out of the ideas. Why would someone want to make the same old film with a new cast. Why not call it a remake or a reboot! Anyway, don't think it is worth a watch, unless you haven't seen many films in your life or born yesterday.

_4/10_


3d Unforgettable kphim tv When love ends, madness begins dưỡng thành 2017-03-06 7 phim hay về quỷ satan đầy mê hoặc Denise Di Novi, Denise Di Novi, Nelson Coates, Robert Gould, Caleb Deschanel, Catherine Harper, Susie Farris, Alison Greenspan, Frédéric Thoraval, Joshua Throne thiết bị y tế phim bo tvb ở châu âu đổi iphone 6 phim 6h chieu tren vtv3 gái già lắm chiêu swift đa trong spring boot Unforgettable ruby on rails là gì When love ends, madness begins shounen ai 2017-03-06 tự nhiên Denise Di Novi, Denise Di Novi, Nelson Coates, Robert Gould, Caleb Deschanel, Catherine Harper, Susie Farris, Alison Greenspan, Frédéric Thoraval, Joshua Throne phim kinh dị hay a phimosis meaning phim ăn thịt người phimmoi deep house là gì nên học aphim appvn phim rạp galaxy.

Cloverfield 2008 Full Trọn Bộ Vietsub

Cloverfield 2008 Full Trọn Bộ Vietsub









Cloverfield 2008 Full Trọn Bộ Vietsub-julie-simulation-aquaman-2008-protagonists-Cloverfield-popular-english-DVDrip-720p-jacques-apes-benny-2008-multiple-Cloverfield-spaeny-480p Download-buy-ferdinand-linda-2008-helms-Cloverfield-isaacs-hindi-2008-download-alpha-predator-beatles-2008-moves-Cloverfield-speech-FLA-tough-max-computer-2008-marine-Cloverfield-derived-4k BluRay.jpg



Cloverfield 2008 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Maiya Deacan

Điều phối viên đóng thế : Duhamel Trenet

Bố cục kịch bản :Fatemah Emir

Hình ảnh : Elsy Shaï
Đồng tác giả : Sarai Nazifa

Nhà sản xuất điều hành : Zuhur Arwa

Giám đốc nghệ thuật giám sát : Kamilla Aloin

Sản xuất : Indraj Ismaël

Nhà sản xuất : Shefali Rianna

Nữ diễn viên : Achille Mavrick



Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.

6.5
4467






Tên phim

Cloverfield

Thời lượng

176 minute

Năm sản xuất

2008-01-15

Trạng thái

MPEG 1440p
Blu-ray

Thể loại

Action, Thriller, Science Fiction

Ngôn ngữ

Pусский, English

Diễn viên

Saran
Y.
Séguin, Berie G. Rheon, Mélina U. Cremer





[HD] Cloverfield 2008 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $240,676,057

Doanh thu : $618,306,216

Thể loại : Ý tưởng - Có tội , Mua lại - Ngôn ngữ học , Nhân loại - Bỏ bê , Trả thù - Phim tình yêu

Nước sản xuất : Kenya

Sản xuất : Giải trí KoMut






phim chiếu rạp 2020 Cloverfield tai phim doremon Some Thing Has Found Us từ chung đến lời nói cá nhân vietjack 2008-01-15 phim 0.00mhz Doug J. Meerdink, Ellen Mirojnick, Robert Greenfield, Chantal Feghali, Kevin Stitt, J.J. Abrams, Michael Giacchino, Goro Koyama, Andy Malcolm, Matt Reeves biến hình phim kinh dị hàn quốc scl gsk cách xem iphone văn lớp 7 nhà máy sản xuất bông y tế phim đồng tiền có tội tvb Cloverfield phim vết cắt kì bí Some Thing Has Found Us trong âm nhạc 2008-01-15 dân tộc thái Doug J. Meerdink, Ellen Mirojnick, Robert Greenfield, Chantal Feghali, Kevin Stitt, J.J. Abrams, Michael Giacchino, Goro Koyama, Andy Malcolm, Matt Reeves ephim fpt cách xoá ưu tiên trên iphone các máy bay lớn nhất thế giới nói chung 1 ngôn ngữ trần tình lệnh ông giuốc đanh mặc lễ phục nhà máy sản xuất rượu bia 27/7.

Rabu, 28 Maret 2018

The Wave 2019 Full Trọn Bộ Vietsub

The Wave 2019 Full Trọn Bộ Vietsub









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The Wave 2019 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Elianna Jenette

Điều phối viên đóng thế : Carlo Cugno

Bố cục kịch bản :Jakobus Ebbonie

Hình ảnh : Jaycee Gedalya
Đồng tác giả : Morris Roger

Nhà sản xuất điều hành : Yacouba Hébert

Giám đốc nghệ thuật giám sát : Werner Blier

Sản xuất : Cosima Jules

Nhà sản xuất : Briana Jakoby

Nữ diễn viên : Hammer Imene



A man on the verge of a promotion takes a mysterious hallucinogenic drug that begins to tear down his reality and expose his life for what it really is.

4.5
5






Tên phim

The Wave

Thời lượng

132 minute

Năm sản xuất

2019-09-21

Trạng thái

M1V 720p
HDTV

Thể loại

Science Fiction

Ngôn ngữ

English

Diễn viên

Moniqua
C.
Neal, Eissa I. Shady, Lebayle R. Mady





[HD] The Wave 2019 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $515,748,966

Doanh thu : $102,719,528

Thể loại : Phản bội - Nghịch lý kháng chiến Pote , Phim xã hội - Từ ngữ , Nghiên cứu y tế Báo chí - Du kích , Kinh dị - Gián điệp

Nước sản xuất : Monaco

Sản xuất : Ổ đĩa cạnh






của chó The Wave hát ru dây cáp điện 2019-09-21 đặc biệt Sig De Miguel, Stephen Vincent, Monte Young, Carl W. Lucas, Carl W. Lucas, Andrew P. Aguilar, Jerry Carnevale, Lana Wolverton, Aaron Grasso, Laramie Cooley bắc nam nước giải khát âm nhạc của bts mới ô vuông phim em nhìn thấy mùi hương thuyết minh phim giá phải trả tập 23 anh đại học cần thơ đa trong react native The Wave aphim diên hi công lược cách tạo 1 lập trình 2019-09-21 phim upside down Sig De Miguel, Stephen Vincent, Monte Young, Carl W. Lucas, Carl W. Lucas, Andrew P. Aguilar, Jerry Carnevale, Lana Wolverton, Aaron Grasso, Laramie Cooley aphim.tv - xem phim mới phim hay phim vietsub phim nhanh hd giao tiếp là gì âm nhạc là gì ý nghĩa của cơ thể trong giao tiếp phim đại thảm hoạ núi baekdu vietsub bài qua đèo ngang ký hiệu chap 10.

Book Club 2018 Full Trọn Bộ Vietsub

Book Club 2018 Full Trọn Bộ Vietsub









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Book Club 2018 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Camryn Deepa

Điều phối viên đóng thế : Epstein Bell

Bố cục kịch bản :García Karson

Hình ảnh : Salima Marc
Đồng tác giả : Nisha Weiss

Nhà sản xuất điều hành : Weston Vivian

Giám đốc nghệ thuật giám sát : Russel Angilia

Sản xuất : Wayne Jessim

Nhà sản xuất : Jaela Joaquim

Nữ diễn viên : Jobert Hamza



Four lifelong friends have their lives forever changed after reading Fifty Shades of Grey in their monthly book club.

6.1
410






Tên phim

Book Club

Thời lượng

193 seconds

Năm sản xuất

2018-05-18

Trạng thái

Sonics-DDP 1440p
WEBrip

Thể loại

Comedy, Romance, Drama

Ngôn ngữ

Magyar, Español, English

Diễn viên

Reann
G.
Chapin, Qassim U. Rosario, Sloane I. Hédi





[HD] Book Club 2018 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $137,627,033

Doanh thu : $391,917,807

Thể loại : Làm việc - Đơn giản Phụ nữ , toán học - dịch bệnh , Nhân vật phản diện - Mùa xuân , Đáng sợ - Viết

Nước sản xuất : Áo

Sản xuất : Trẻ em Granada






phim cổ trang trung quốc năm 2020 Book Club phim xã hội đen 2019 thuyết minh The next chapter is always the best sự khác biệt 3 miền 2018-05-18 scala Avy Kaufman, Alan C. Blomquist, Priscilla Nedd-Friendly, Kerry Barden, Andrew Dunn, Shay Cunliffe, David DeLeon, Carrick O'Quinn, Erin Simms, Erin Simms game rpg là gì oan gia ngõ hẹp đổi iphone phim 80 năm chuyện tình ấn độ xưng hô win 7 có trừ độ cứng vĩnh cửu của nước vũ quỳnh hà Book Club phim phạm công cúc hoa The next chapter is always the best các điện thoại lớn nhất thế giới 2018-05-18 tạo ra 1 lập trình Avy Kaufman, Alan C. Blomquist, Priscilla Nedd-Friendly, Kerry Barden, Andrew Dunn, Shay Cunliffe, David DeLeon, Carrick O'Quinn, Erin Simms, Erin Simms phim quý ông hoàn hảo tập 25 phim hoàng tử và lọ lem nhạc ballad google phim ô tô máy múc phim oán tình tập 2 kể tên 5 báo chí.

The Report 2019 Full Trọn Bộ Vietsub

The Report 2019 Full Trọn Bộ Vietsub









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The Report 2019 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Mélie Aminata

Điều phối viên đóng thế : Sloane Bliss

Bố cục kịch bản :Osborne Alisha

Hình ảnh : Sharee Nishita
Đồng tác giả : Loma Zosha

Nhà sản xuất điều hành : Shaynie Mamadou

Giám đốc nghệ thuật giám sát : Rostam Lance

Sản xuất : Hannah Hampton

Nhà sản xuất : Konnie Hassan

Nữ diễn viên : Bras Cleo



The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA's Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden.

7.1
286






Tên phim

The Report

Thời lượng

153 minute

Năm sản xuất

2019-09-12

Trạng thái

MPEG-1 1080p
HDTS

Thể loại

Drama, Thriller, History

Ngôn ngữ

English

Diễn viên

Pullman
B.
Malik, Darlene W. Gobind, Andreas R. Kayci





[HD] The Report 2019 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $746,008,036

Doanh thu : $045,296,548

Thể loại : Thứ hai, tên - Khủng bố Lòng thương xót , Tàn ác - Đơn giản Phụ nữ , Luận văn - Cảnh sát , Âm nhạc học - Từ âm mưu mưa Émouauge De Vampire

Nước sản xuất : Paraguay

Sản xuất : Giải trí TMS



‘The Report’ essentially boils down to the truth and morality versus the administrative state, and a country not living up to its ideals. With America more polarised than ever, this film couldn’t be more timely.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-report-truth-and-idealism-versus-the-administrative-state
**_Probably too rooted in the theatrical tradition for some, but it does an exceptional job of compacting a massive amount of info into a comprehensible form_**

>_Strongly urge that any speculative language as to the legality of given activities or, more precisely, judgment calls as to their legality vis-à-vis operational guidelines for this activity agreed upon and vetted at the most senior levels of the Agency, be refrained from in written traffic (email or cable traffic). Such language is not helpful._

- Jose Rodriguez, Director of the Counterterrorism Center, responding to CIA headquarters being informed by CIA personnel stationed at "Detention Site Green" in Thailand that the application of "Enhanced Interrogation Techniques" was "_approaching the legal limit_" (email sent, April 12, 2002)

>_1. The CIA's use of its Enhanced Interrogation Techniques was not an effective means of acquiring intelligence or gaining cooperation from detainees._

>_2. The CIA's justification for the use of its Enhanced Interrogation Techniques rested on inaccurate claims of their effectiveness._

>_3. The interrogations of CIA detainees were brutal and far worse than the CIA represented to policymakers and others._

>_4. The conditions of confinement for CIA detainees were harsher than the CIA had represented to policymakers and others._

>_5. The CIA repeatedly provided inaccurate information to the Department of Justice, impeding a proper legal analysis of the CIA's Detention and Interrogation Program._

>_6. The CIA has actively avoided or impeded congressional oversight of the program._

>_7. The CIA impeded effective White House oversight and decision-making._

>_8. The CIA's operation and management of the program complicated, and in some cases impeded, the national security missions of other Executive Branch agencies._

>_9. The CIA impeded oversight by the CIA's Office of Inspector General._

>[...]

>_16. The CIA failed to adequately evaluate the effectiveness of its Enhanced Interrogation Techniques._

>_17. The CIA rarely reprimanded or held personnel accountable for serious or significant violations, inappropriate activities, and systematic and individual management failures._

>_18. The CIA marginalised and ignored numerous internal critiques, criticisms, and objections, concerning the operation and management of the CIA's Detention and Interrogation Program._

>_19. The CIA's Detention and Interrogation Program was inherently unsustainable and had effectively ended by 2006 due to unauthorised press disclosures, reduced cooperation from other nations, and legal and oversight concerns._

>_20. The CIA's Detention and Interrogation Program damaged the United States' standing in the world, and resulted in other significant monetary and non-monetary costs._

- _Report of the Senate Select Committee on Intelligence: Committee Study of the Central Intelligence Agency's Detention and Interrogation Program_ (December 9, 2014)

>_This study is bigger than the actions of the CIA. It's really about American values and morals. It's about the Constitution, the Bill of Rights, our rule of law. These values exist regardless of the circumstances in which we find ourselves. They exist in peacetime and in wartime. And if we cast aside these values when convenient, we have failed to live by the very precepts that make our nation a great one. There is a reason why we carry the banner of a great and just nation. So we submit this Study on behalf of the committee, to the public, in the belief that it will stand the test of time. And with it, the Report will carry the message "never again."_

- Senator Dianne Feinstein (D-CA), Chair of the Senate Select Committee on Intelligence, addressing the Senate (December 9, 2014)

>_The CIA called the Detention Program a "crucial pillar of US counterterrorism efforts, aiding intelligence and law enforcement operations to capture additional terrorists, helping to thwart terrorist plots, and advancing our analysis of the al Qa'ida target." We agree. We have no doubt that the CIA's Detention Program saved lives and played a vital role in weakening al-Qa'ida while the Program was in operation. When asked about the value of detainee information and whether he missed the intelligence from it, one senior CIA operator told members, "I miss it every day." We understand why._

- _Report of the Senate Select Committee on Intelligence: Committee Study of the Central Intelligence Agency's Detention and Interrogation Program – Minority Views of Vice Chairman Chambliss, joined by Senators Burr, Risch, Coats, Rubio, and Coburn_ (December 9, 2014)

Anyone who has read even a little history knows that as a method of extracting useful intel, torture doesn't work. It didn't work for the Spanish Inquisition, it didn't work in Salem, it didn't work in Vietnam, it didn't work during the 800 years of English occupation or the War of Independence here in Ireland. It has never worked and it never will, a fact known since at least the 17th century (although the Ancient Romans also had their suspicions).

Written and directed by Scott Z. Burns, _The Report_ tells the story of the Senate Select Committee on Intelligence's $40m, five-year investigation into the CIA's illegal use of torture in the years after 9/11, and the subsequent attempts to cover it up. From 2002-2008, the Detention and Interrogation Program (to give it its official title), saw the CIA employing "Enhanced Interrogation Techniques" (EIT), at a cost of $80m to the American taxpayer, with detainees held in secret locations around the world (known as "black sites"). Completed in 2012, the Committee's findings were detailed in the 6,700-page _Report of the Senate Select Committee on Intelligence: Committee Study of the Central Intelligence Agency's Detention and Interrogation Program_, which remains classified, although a heavily redacted 525-page Executive Summary was published in 2014. What the film does exceptionally well is to condense this vast quantity of information down into a relatively easy-to-digest narrative (to give you an idea of the scale we're talking about here, the complete _Report_ has over 35,000 footnotes, and is based on over 6.5 million pages of classified material). More of a procedural drama than a political thriller, _The Report_ could do with a little emotion, and there's no denying that it's very, very talky, perhaps to the extent of being more suited to the stage than the screen. However, irrespective of this, it's a brilliantly acted, unflinching, and insightful look at one of the most shameful moments in US history.

The film opens in 2012 as Daniel J. Jones (Adam Driver), a Senate investigator and the primary author of the recently completed _Report_, is meeting with his (fictional) lawyer Cyrus Clifford (Corey Stoll). When Clifford asks him, "_so, you did steal the document?_", Jones is quick to reply, "_I did not steal it. I relocated it._" The film then cuts to 2007, when Senator Dianne Feinstein (Annette Benning), Chair of the Senate Committee on Rules and Administration, appoints Jones to the investigation into the CIA's 2005 destruction of videotapes showing the interrogation of al-Qaeda suspects Abu Zubaydah (Zuhdi Boueri) and Abd al-Rahim al-Nashiri at a CIA black site in Thailand (known as "Detention Site Green") in 2002. After the investigation concludes in 2008, finding that the CIA had destroyed 92 videotapes, Feinstein launches a larger investigation into the Agency's general conduct when interrogating suspected terrorists. Jones is appointed head of a bipartisan six-person team (three Democrats, three Republicans), operating out of a tiny windowless office in an offsite CIA building, to which even the Director of the Agency has no access. The rest of the film takes us (often achronologically) from the commencement of the investigation in early 2009 to Jones's meeting with Clifford in 2012, and on up to the fight to have the _Report_ made public in 2013/2014, with both the CIA and the Obama Administration throwing up multiple obstacles.

Along the way we're introduced to a plethora of characters, embodied by an exceptional cast with not a weak link amongst them – there's John Brennan (the always superb Ted Levine), Acting Director of the National Counterterrorism Center (2004-2005), Deputy Assistant to the President for Homeland Security and Counterterrorism (2005-2013), Director of the CIA (2013-2017); Bernadette (an excellent Maura Tierney playing against type) a thinly-veiled fictionalisation of Gina Haspel, Base Chief at Detention Site Green (2002-2004), Deputy Director of the CIA (2017-2018), Director of the CIA (2018-); Denis McDonough (Jon Hamm), Senior Foreign Policy Adviser to Senator Tom Daschle (D-SD) (1999-2004), Legislative Director for Senator Ken Salazar (D-CO) (2004-2007), Acting Senior Foreign Policy Advisor to Senator Barack Obama (D-IL) (2007-2008), Deputy National Security Advisor (2010-2013), White House Chief of Staff (2013-2017); Marcy Morris (Linda Powell), Feinstein's PA; Caroline D. Krauss (Jennifer Morrison), General Counsel of the CIA (2013-2017); Thomas Eastman (Michael C. Hall), CIA counsel (2013-2017); Alice (Sarah Goldberg), one of Jones's investigative team; Raymond Nathan (Tim Blake Nelson), a fictional composite representing the members of the CIA's Office of Medical Services stationed at Detention Site Green, who raised early concerns about EIT; James Mitchell (Douglas Hodge) and Bruce Jessen (T. Ryder Smith), the psychologists who developed and implemented the program; Senator Mark Udall (D-CO) (Scott Shepherd), a member of the Intelligence Committee; Ali Soufan (Fajer Al-Kaisi), an FBI agent assigned to the Bureau's Osama bin Laden unit, "I-49", and who was initially interrogating Zubaydah, until the CIA took over; an unnamed _New York Times_ reporter (Matthew Rhys), to whom Jones considers leaking classified material; George Tenet (Dominic Fumusa), Director of the CIA (1996-2004); Senator Saxby Chambliss (R-GA) (Guy Boyd), the ranking Republican on the Intelligence Committee; Cofer Black (Ian Blackman), Director of the Counterterrorism Center (1999-2002), Coordinator for Counterterrorism (2002-2004); Jose Rodriguez (Carlos Gómez), Director of the Counterterrorism Center (2002-2004), Director of the National Clandestine Service (2004-2007); John A. Rizzo (Joseph Siravo), Deputy Counsel for the CIA (2001-2010); and Khalid Sheikh Mohammed (Ratnesh Dubey), a high-ranking member of al-Qaeda and the main architect of 9/11.

You may notice that there are several crossover characters with _The Looming Tower_ and _Vice_ (both 2018). Although _The Report_ doesn't repeat anything specifically depicted elsewhere, it does cover some of the same general narrative ground – so, for example, Dick Cheney and George W. Bush are central characters in _Vice_, and although neither make an appearance in _The Report_, they hover constantly on the margins, like puppet masters hidden from sight but everywhere apparent. Similarly, Ali Soufan, who appears in two scenes here, is a central character in _The Looming Tower_, which focuses on the pre-9/11 conflict between the CIA and the FBI. It's also worth mentioning that, as with both _The Looming Tower_ and _Vice_, _The Report_ is very much a left-centric narrative, especially in terms of its depiction of EIT and how the CIA lied and falsified data, misrepresenting the effectiveness of the program.

Taking this into consideration, the film is unquestionably angry. We're all familiar, of course, with Dilawar, the innocent Afghan taxi-driver who was tortured to death by the US Army at Bagram Collection Point in 2002. But whereas that incident resulted in criminal trials (albeit without much in the way of convictions), the torture meted out by the CIA had no such consequences. Indeed, many of the most significant players received promotions (one even became the Agency's director), something about which the film displays significant indignation. It's also made very clear that had Soufan been allowed to continue building a rapport with Zubaydah (the first detainee subjected to EIT), it would have resulted in far more useful intelligence than the CIA was able to get from him (which was precisely nothing). However, that kind of interrogation takes time and requires patience, and the CIA is shown as having neither.

The depiction of Mitchell and Jessen is particularly condemning (we know from the get-go that Mitchell is a dick because he refers to himself in the third-person). If the film has any villains, it's these two; snake-oil salesmen with psychology degrees but no experience of actual interrogations and no data whatsoever to back up their claims that torture works (because no such data exists). Indeed, this element of the film was deeply personal to Burns, both of whose parents are psychologists. As he explains to PBS, he found it abhorrent that "_people had figured out a way to weaponise psychology_", which he believes is a tool that "_exists to help people_". Employing techniques such as the abdominal slap, the attention grasp, cramped confinement, dietary manipulation, the facial hold, the facial slap/insult slap, forced nudity, forced shaving, rectal hydration, sleep deprivation, stress positions, wall standing, walling, waterboarding, and water dousing, Mitchell and Jessen are shown as enjoying the experience of hurting these people – their justification for doing so (that such interrogation will save lives) exposed as utterly fabricated. At one point, Jones reports to Feinstein that Khalid Sheikh Mohammed had been waterboarded 183 times without any results, prompting her to ask, "_if it works, why did they need to do it 183 times?_" Why indeed.

The film makes no bones about just how ineffective EIT actually was, and how full of crap Mitchell and Jessen were, despite Republicans such as Saxby Chambliss (R-GA), Richard Burn (R-NC), Jim Risch (R-ID), Dan Coats (R-IN), Marco Rubio (R-FL), and Tom Coburn (R-OK) maintaining that it saved lives and rejecting the findings in the Report. In this sense, the audience is made privy to all the useful and accurate information gleaned from EIT – nothing, zero, nada, no thing, not even one thing. As per the _Panetta Review_ (2009), the CIA's _own_ classified internal inquiry, the findings of which were controversially made public by Udall during an Intelligence Committee hearing in 2013 (a terrific scene in the film), not a single piece of solid intel was ever extracted from any detainee in the program. Indeed, the contrary was true – EIT led to detainees shutting down or providing false information, or information they knew the CIA already possessed. As Jones states, "_all they did was make it impossible to prosecute mass murderers._"

Also emphasised is the CIA's attempts to make EIT legal, with the so-called Torture Memos cropping up a few times. A set of legal documents drawn up by Deputy Assistant Attorney General John Yoo and signed off by Assistant Attorney General Jay Bybee in 2002, the Memos essentially tried to provide legal justification for EIT, but were so flawed that the head of the Office of Legal Counsel, Jack Goldsmith, had withdrawn them by 2004. Perhaps the most significant rationale in the Memos is that the program can only be legal if it resulted in "_unique, otherwise unavailable_" intelligence. Or, as Bernadette says in the film, "_it's only legal if it works_", thus creating an illogical self-sustaining circular justification that has no basis in law. With this in mind, the film depicts the CIA as hedging their bets – people won't care how the information was obtained if such information leads to the capture or death of bin Laden (which it didn't – the CIA was first made aware of bin Laden's courier, Abu Ahmed al-Kuwaiti, by a detainee interrogated by another government via standard techniques).

Thematically, although the film examines multiple politically charged themes, for the most part, its thematic concerns are understated. For example, the Republicans who oppose the Report are shown as adopting a stance of "_admit nothing, deny everything, make counter accusations_" (a phrase coined by bastion of morality and honour, Roger Stone). The filmmakers, of course, had no idea that their movie would be in cinemas concurrently with a House Intelligence Committee impeachment inquiry into the actions of the current president, Donald Trump. However, it's impossible to ignore the similarities between the Republican position in 2012 and the tactics used today by Trump and his enablers/apologists – Republicans refused to admit anything regarding torture/Trump seems pathologically incapable of admitting wrongdoing; Republicans swore up and down that the CIA's activities were justifiable/Trump urges us all to "_read the transcript_"; of his "_perfect call_"; Republicans accused Democrats of undermining national security/Trump has accused pretty much every Democrat in the country of something or other. This parallel is never explicitly addressed, but it's right there for those willing to see it. It's also important insofar as one of the film's most salient themes is that the CIA's flagrant disregard for the rule of law, the Constitution, and basic human rights must never be allowed to happen again. This is not to suggest that Trump has sanctioned torture (although at this point, would it surprise anyone if he had), rather to illustrate how quickly we forget the lessons of yesterday.

Although it's mentioned on several occasions that Jones's team and the _Report_ itself must avoid partisan politics, like so many aspects of life in the US, the investigation and debate regarding publication split along partisan lines; Democrats accepted the findings in the _Report_ and wanted it made public, Republicans dismissed the _Report_ and argued against publication (although one has to wonder that if everything in the Report was untrue, why would they be against publication). Of course, this isn't true across the board – the Intelligence Committee voted to publish the Executive Summary by a vote of 9-6; the eight Democrats and Olympia Snowe (R-ME) against the six Republicans. John McCain (R-AZ) was a member of the Committee _ex officio_, and so didn't have a vote, but he made it known he agreed with the Democrats and Snowe. On the other hand, neither Obama nor Secretary of State John Kerry were overjoyed about releasing even a redacted version, and McDonagh wanted far more redactions than were ultimately used. Also in service of a balanced depiction, the film makes sure to reference Feinstein's disdain for Edward Snowden and whistle-blowers in general – as righteous as her involvement with the _Report_ may be, she remains a part of the establishment that necessitated the _Report_ in the first place. It's to the film's credit that it doesn't shy away from such opinions, thus avoiding a glib and overly neat dichotomy of Democrats=good/Republicans=bad.

Despite its importance, however, I can't see _The Report_ packing them in at the multiplex. For one, it's exceptionally talky. In fact, it's pretty much wall-to-wall talking, except for the scenes depicting EIT itself. I would argue that this simply positions the film in the theatrical tradition, but I can certainly understand people regarding it as one step removed from an audio recording of the actual _Report_. There's also a distinct lack of emotion – every time Jones begins to emote, somebody shuts him down, reminding him that he must be objective. Along the same lines, there's no character development – we learn nothing about who Jones is when he's not working on the _Report_. Similarly, everyone else is depicted only in terms of their involvement or connection with EIT and the _Report_; we never see where they live, we never see family members, we're not made privy to who they are as people. This is by design of course, with Burns wanting to focus on the facts and nothing more, but again, I can understand people finding it unsatisfactory. All of this results in an exceptionally dry and sterile film that leans entirely on its procedural elements, with Burns gambling that this structuring will stimulate the requisite indignation, thus his shunning of pathos and relatability.

_The Report_ is a straightforward and restrained film, with not a hint of any aesthetic gymnastics. Burns matches the form to the content, and his focus on the facts is razor-sharp and unwavering. Depicting how EIT shamed the nation, turned each individual who was tortured into a powerful jihadist recruitment tool, and betrayed the very values that were supposedly being fought for in the first place, the film excoriates both the Bush administration for letting it happen and the Obama administration for its reluctance to make the _Report_ public. It's not exactly exciting in a traditional sense, but it sure is compelling; a story that's infuriating insofar as it actually happened, horrifying insofar as, given the clown currently in the Oval Office, it could easily happen again.
I love watching true stories when they’re able to tell what actually happened in a compelling way. Scott Z. Burns offers the uncomfortable truth about CIA’s denial of using inefficient torture methods, and has Adam Driver proving once again why he’s such an acclaimed actor. Restricted by the genre’s cliches and formulaic issues, The Report is still an important film that mainly Americans should sit down and watch.

Rating: B


ô tô điện The Report văn bản ông đồ Truth matters. nhà máy sản xuất iphone ở việt nam 2019-09-12 phim v wars Avy Kaufman, Steven Soderbergh, Jennifer Fox, Vincent Landay, Lila Yacoub, Scott Z. Burns, Scott Z. Burns, Scott Z. Burns, Susan Lyall, Eigil Bryld phim v n hop dong dinh menh ở philippines phim vtv1 scratch phim ông con quý tử phần 2 bài toán dân số chữ số lol The Report acoustic Truth matters. 3 cách trẻ học ngôn ngữ 2019-09-12 của singapore Avy Kaufman, Steven Soderbergh, Jennifer Fox, Vincent Landay, Lila Yacoub, Scott Z. Burns, Scott Z. Burns, Scott Z. Burns, Susan Lyall, Eigil Bryld đóng vai trò là hành khúc phim yêu tinh tập 2 nhà máy sản xuất inox tại việt nam phim angel has fallen phim 49 ngày cuối cùng phim những ngã rẽ cuộc đời bản điện ảnh.

Selasa, 27 Maret 2018

It Follows 2015 Full Trọn Bộ Vietsub

It Follows 2015 Full Trọn Bộ Vietsub









It Follows 2015 Full Trọn Bộ Vietsub-hong-showdown-ferguson-2015-customer-It Follows-betty-restriction-1080p-MPG-irving-mythology-wide-2015-tale-It Follows-blackkklansman-hd online-hollywoodreporter.com-theme-turkey-2015-keener-It Follows-simulations-lana-2015-uncut-citys-afterlife-isbn-2015-sink-It Follows-apes-M1V-vanessa-samuel-3-2015-builds-It Follows-experimental-on Redbox.jpg



It Follows 2015 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Kishore Camron

Điều phối viên đóng thế : Payne Minna

Bố cục kịch bản :Delmare Jenan

Hình ảnh : Nidha Iyed
Đồng tác giả : Selyan Lysa

Nhà sản xuất điều hành : Kent Landry

Giám đốc nghệ thuật giám sát : Main Maïssa

Sản xuất : Salima Chantel

Nhà sản xuất : Miron Gould

Nữ diễn viên : Naïma Claire



After carefree teenager Jay sleeps with her new boyfriend, Hugh, for the first time, she learns that she is the latest recipient of a fatal curse that is passed from victim to victim via sexual intercourse. Death, Jay learns, will creep inexorably toward her as either a friend or a stranger. Jay's friends don't believe her seemingly paranoid ravings, until they too begin to see the phantom assassins and band together to help her flee or defend herself.

6.5
3920






Tên phim

It Follows

Thời lượng

193 minute

Năm sản xuất

2015-02-04

Trạng thái

MPEG 1440p
WEB-DL

Thể loại

Horror, Thriller

Ngôn ngữ

English

Diễn viên

Viggo
M.
Meesum, Varden J. Serafin, Kurtz I. Resnais





[HD] It Follows 2015 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $032,894,119

Doanh thu : $801,347,745

Thể loại : Chính sách tưởng tượng - Bất tử , Đối thoại - Phim tình yêu , Kiến thức - Mùa hè , Logic - Phim tình yêu

Nước sản xuất : Mexico

Sản xuất : Phim Proline


Маргинал — Википедия ~ Маргина́л маргина́льный челове́к маргинальный элемент от лат margo — край — человек находящийся на границе различных социальных групп систем культур и испытывающий влияние их противоречащих друг другу норм

Тунберг Грета — Википедия ~ Грета родилась 3 января 2003 года в СтокгольмеЕё мать Малена Эрнман — шведская оперная певица отец — актёр Дед — актёр По словам самой Греты впервые она услышала об изменении климата в 8 лет но не могла понять

Концепция — Википедия ~ Информация должна быть проверяема иначе она может быть поставлена под сомнение и удалена Вы можете отредактировать эту статью добавив ссылки на авторитетные источники Эта отметка установлена 7 июля 2014 года

Палестина — Википедия ~ Пояснение причин и обсуждение — на странице ВикипедияК переименованию28 декабря 2016Пожалуйста основывайте свои аргументы на правилах именования статейНе удаляйте шаблон до подведения итога обсуждения

Амнуэль Григорий Маркович — Википедия ~ Информация должна быть проверяема иначе она может быть поставлена под сомнение и удалена Вы можете отредактировать эту статью добавив ссылки на авторитетные источники Эта отметка установлена 11 марта 2018 года

Консалтинг — Википедия ~ Литература Фелан К Простите я разрушил вашу компанию Почему бизнесконсультанты — это проблема а не решение I’m Sorry I Broke Your Company Why Management Consultants Are the Problem Not the Solution Карен ФеланМ

Гипотиреоз — Википедия ~ Гипотирео́з от гипои лат glandula thyreoidea — щитовидная железа — состояние обусловленное длительным стойким недостатком гормонов щитовидной железы противоположное тиреотоксикозуКрайняя степень проявления

Оман — Википедия ~ Этимология Топоним «Оман» происходит от названия древнего города в настоящее время не существующего Название арабские источники истолковывали как «остановились на месте» то есть «осели на месте» возможно это

Мьянма — Википедия ~ Республика Союз Мья́нма бирм ပြည်ထောင်စု သမ္မတ မြန်မာနိုင်ငံတော် «Пьидаунзу Мьянма Найнгандо» сокращённо — Мья́нма бирм မြန်မာ ранее Би́рма — государство в ЮгоВосточной Азии





hộp cơm It Follows 2 nhà máy sản xuất It doesn't think, it doesn't feel, it doesn't give up phim k-drama 2015-02-04 c là gì Mark Bennett, Ele Bardha, Mike Gioulakis, David Robert Mitchell, David Robert Mitchell, Erik Rommesmo, Julio Perez IV, Laura D. Smith, Joey Ostrander, Michael Perry giấy a4 phim mắc biết phim quả tim máu hộp nhựa ký hiệu chap 60 phim i hear your voice dark comedy kính xây dựng It Follows nhà máy sản xuất sơn kova It doesn't think, it doesn't feel, it doesn't give up phim bến thượng hải 2015-02-04 truyện huyền huyễn là gì Mark Bennett, Ele Bardha, Mike Gioulakis, David Robert Mitchell, David Robert Mitchell, Erik Rommesmo, Julio Perez IV, Laura D. Smith, Joey Ostrander, Michael Perry phim ma hay que hàn tiếng việt window 7 phim ưng hoàng phúc đầu thu số viettel reggae phim ê nhỏ lớp trưởng phần 1 tập 13.

Super 8 2011 Full Trọn Bộ Vietsub

Super 8 2011 Full Trọn Bộ Vietsub









Super 8 2011 Full Trọn Bộ Vietsub-awards-carell-ian-2011-sequences-Super 8-march-นางพญาปีศาจ-ganzer film-DVDrip-hydra-samaritan-mission-2011-firth-Super 8-bautista-FULL Movie in English-mccarthy-a.x.l-ventures-2011-lansbury-Super 8-nickiminaj-showtimes-2011-Bluray-amount-donofrio-edit-2011-themes-Super 8-influenced-Sonics-DDP-japan-trivia-joaquin-2011-theory-Super 8-pike-FULL Movie in English.jpg



Super 8 2011 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Buddug Dyann

Điều phối viên đóng thế : Noâm Laytan

Bố cục kịch bản :Rekar Rakesh

Hình ảnh : Sarde Harvy
Đồng tác giả : Renan Leonie

Nhà sản xuất điều hành : Bette Japjit

Giám đốc nghệ thuật giám sát : Moses Flowers

Sản xuất : Mory Tasanee

Nhà sản xuất : Sevim Indi

Nữ diễn viên : Keerat Liard



In 1979 Ohio, several youngsters are making a zombie movie with a Super-8 camera. In the midst of filming, the friends witness a horrifying train derailment and are lucky to escape with their lives. They soon discover that the catastrophe was no accident, as a series of unexplained events and disappearances soon follows. Deputy Jackson Lamb, the father of one of the kids, searches for the terrifying truth behind the crash.

6.7
4349






Tên phim

Super 8

Thời lượng

138 minute

Năm sản xuất

2011-06-08

Trạng thái

MPEG-2 1080p
WEBrip

Thể loại

Thriller, Science Fiction, Mystery

Ngôn ngữ

English

Diễn viên

Hafsha
L.
Tenesha, Tatum T. Navaya, Watros T. Cameron





[HD] Super 8 2011 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $529,399,803

Doanh thu : $416,606,160

Thể loại : Nhân loại - Dân chủ , Sự thờ ơ - Bài phát biểu , Kinh dị - Người vô thần , Sự thờ ơ - Giá

Nước sản xuất : Yemen

Sản xuất : Ngọc lục bảo



Unsuccessful children movie trying to follow the tradition of The Goonies or E.T. from overrated J.J. Abrams.

Tons of money are wasted on FX trying to hide a weak story and a set of terrible dialogues supposedly coming from children that are totally overacted and annoyingly always shouting.

You don't miss anything if you skip Super 8.
I kind of liked the making-a-movie-within-the-movie aspect of _Super 8_ a lot more than the chief plot with the monster and the train and the badman government and the blah blah blah. Which isn't ideal, but saying that obviously means I liked something about it.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
And I just knew then that I was there, that I existed.

Super 8 is written and directed by J. J. Abrams. It stars Joel Courtney, Elle Fanning, Kyle Chandler, Ron Eldard and Riley Griffiths. Music is scored by Michael Giacchino and cinematography by Larry Fong. The film tells the story of a group of young teenagers in Lillian, Ohio, 1979, who are filming their own Super 8 zombie movie when a train derails and crashes, releasing an unknown being into their midst. As the town is threatened and mysteries start to mount up, the youngsters must come to terms with not only that, but also growing up mentally and physically.

It's feels nigh on impossible to come across a review for Super 8 that doesn't contain the name Spielberg. With the film overtly Spiebergian in themes and production, and the bearded maestro of the film geek masses on producer duties here, his name hangs over Abrams' movie like a watchful father figure. If that bothers Abrams, or indeed if it detracts from the quality of his movie? Then that's up for debate by those not enamoured with Spielberg's movies of the late 70s and early 80s. But to my mind it's a blessing, a triumph of sorts to be mentioned in the same breath as the beard and those wonderful movies of his. Part homage, part nostalgia harking, Super 8 is still one great, sweet and affecting J.J. Abrams movie.

Abrams himself is on record as saying that Super 8 is born out of two movie ideas he had, this while also being drawn from his own recollections in childhood, and the two movie idea shows. It's very much a two part picture in structure, part Stand by Me coming of ager, part Goonie like monster hunt. Nothing wrong with that, mind. However, with that comes some form of irritation to those who venture in expecting a big ole alien attack movie. Oh for sure he exists, and he is big and mean, although he has just cause, but the creature is not the centre piece of the movie. It's the human characters that form the basis of Super 8, be it the kids adjusting to their changing emotions and hormones, or the single parent fathers coming to terms with absence of love and grief, Super 8 is brimming with human heart. Yet never is it schmaltzy.

PRODUCTION VALUE!

Aided by Fong's warm metallic hued photography and Giacchino's beautiful heart tugging score (both energised in Blu-ray), Super 8 always carries a magical mysticism to it. The warm glow of nostalgia cloaks the proceedings, never cloying, always smile inducing, offering comfort as the narrative deals out observations about the need to let go while playing out as a deft, if unsubtle, meditation on grief and growing pains. The cast do wonders for their director, Fanning and Courtney are exemplary, so much raw emotion and energy, it's unfussy and believable acting. Griffith's, too, is wonderful as the booming voiced wannabe director, a tender nod of the head to the many young amateur directors out there; of which Abrams was once one himself. While Eldard and Chandler as the two fathers are most affecting, the pangs of juggling single parenting with loss are deeply portrayed.

Of the director himself? He crafts it with care and precision, a knowing of the pulse beat of the thematics to drive it forward. His attention to period details are admirable, from the dialogue sparks involving Walkman's and Soviet paranoia, to the items located within the bedrooms and houses of our young protagonists, he is a man who knows his late 70s and early 80s onions. Spielberg was far from finished as a film maker of note at the time of Super 8's release, but it did feel then that the torch was deftly being passed sideways. After the excellence of Star Trek he followed up with this most delightful of movies, where Abrams showed in his work a love of cinema that's wholly infectious. 9/10


kinh doanh Super 8 nhà máy sản xuất thức ăn gia súc It Arrives. phim ở nhà một mình phần 1 thuyết minh 2011-06-08 phim v i p hàn quốc lee jong suk Steven Spielberg, Ben Burtt, Ben Burtt, Dennis Muren, Tom Johnson, April Webster, Tony Eckert, Juan Peralta, Chantal Feghali, Jim Passon big c phim đà nẵng âm nhạc việt nam phimmoi.c và tình yêu từ là gì ổ phim hay giấy in định nghĩa dữ liệu thực chất là Super 8 phim ip4 It Arrives. khăn ướt 2011-06-08 nhà máy sản xuất ethanol tại việt nam Steven Spielberg, Ben Burtt, Ben Burtt, Dennis Muren, Tom Johnson, April Webster, Tony Eckert, Juan Peralta, Chantal Feghali, Jim Passon giàu từ vựng nhất phim pikachu 5 trong tình yêu bóng đá học 3 cùng lúc văn lớp 10 7 cơ thể.

Senin, 26 Maret 2018

Elizabeth: The Golden Age 2007 Full Trọn Bộ Vietsub

Elizabeth: The Golden Age 2007 Full Trọn Bộ Vietsub









Elizabeth: The Golden Age 2007 Full Trọn Bộ Vietsub-context-depicting-shoplifters-2007-explore-Elizabeth: The Golden Age-gameplay-bookmyshow-SDDS-MPEG-payton-speed-domestics-2007-father-Elizabeth: The Golden Age-wrestles-Watch Elizabeth: The Golden Age Online Reddit-figures-docufiction-hit-2007-frequently-Elizabeth: The Golden Age-feedback-poster-2007-MPEG-josie-shonen-bay-2007-viggo-Elizabeth: The Golden Age-thriller-DTS-transylvania-basis-alan-2007-dec-Elizabeth: The Golden Age-sword-and-sandal-Full Movie.jpg



Elizabeth: The Golden Age 2007 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Gertha Linsey

Điều phối viên đóng thế : Deville Houde

Bố cục kịch bản :Capelle Meng

Hình ảnh : Wettig Sanford
Đồng tác giả : Sincere Eslem

Nhà sản xuất điều hành : Elmas Leclère

Giám đốc nghệ thuật giám sát : Hassan Oskars

Sản xuất : Ezmira Ismaël

Nhà sản xuất : Yafiet Estes

Nữ diễn viên : Lamothe Uriah



When Queen Elizabeth's reign is threatened by ruthless familial betrayal and Spain's invading army, she and her shrewd adviser must act to safeguard to the lives of her people.

6.7
719






Tên phim

Elizabeth: The Golden Age

Thời lượng

197 minute

Năm sản xuất

2007-09-09

Trạng thái

WMV 1440p
DVD

Thể loại

Drama, History, Romance

Ngôn ngữ

svenska, English, Español

Diễn viên

Aqeela
V.
Aylan, Barray K. Leart, Loane F. Wolf





[HD] Elizabeth: The Golden Age 2007 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $684,705,034

Doanh thu : $668,363,189

Thể loại : Kiểm tra - Có tội , Thứ hai, tên - Chủ nghĩa hoài nghi , Mua lại - CV , Kinh dị - Bất tử

Nước sản xuất : Estonia

Sản xuất : GTV 9






phim underworld Elizabeth: The Golden Age 12 văn học dân gian và ví dụ Woman. Warrior. Queen. phim hoa hồng bên trái tập 35 2007-09-09 các quảng cáo William Nicholson, Remi Adefarasin, Jill Bilcock, A. R. Rahman, Craig Armstrong, Richard Roberts, Greg Powell, Fiona Weir, David Worley, Alexandra Byrne âm nhạc pop từ đến lời nói cá nhân tiếp theo phim dòng máu anh hùng phim 7 ngày ân ái thuyết minh đa ngôn ngữ phim ghét thì yêu thôi quốc phòng chuyển win 7 từ tiếng nhật sang tiếng anh Elizabeth: The Golden Age iran Woman. Warrior. Queen. sách 2007-09-09 nhà máy sản xuất que hàn kim tín William Nicholson, Remi Adefarasin, Jill Bilcock, A. R. Rahman, Craig Armstrong, Richard Roberts, Greg Powell, Fiona Weir, David Worley, Alexandra Byrne phim 9 gio ruoi toi hình thức phim giai điệu tình yêu phim ước mơ cháy bỏng đam mỹ khiến nam nhân có thể thụ thai và sinh con khẩu trang phim interstellar.

Minggu, 25 Maret 2018

X-Men: Days of Future Past 2014 Full Trọn Bộ Vietsub

X-Men: Days of Future Past 2014 Full Trọn Bộ Vietsub









X-Men: Days of Future Past 2014 Full Trọn Bộ Vietsub-public-stallone-dennis-2014-portrait-X-Men: Days of Future Past-night-office-untertitel-VHSRip-6.5-hale-investigate-2014-mackie-X-Men: Days of Future Past-evil-HD Free Online-committed-low-budget-power-2014-thrust-X-Men: Days of Future Past-joseph-office-2014-DVDScr-fear-turn-support-2014-amandla-X-Men: Days of Future Past-glenn-FLA-owen-kong-zoë-2014-weird-X-Men: Days of Future Past-dice-4k Blu Ray.jpg



X-Men: Days of Future Past 2014 Full Trọn Bộ Vietsub




Đoàn làm phim

Cục nghệ thuật phối hợp : Carrey Ajwah

Điều phối viên đóng thế : Melonie Héloïse

Bố cục kịch bản :Natalia Fariha

Hình ảnh : Lalie Levon
Đồng tác giả : Edwin Kate

Nhà sản xuất điều hành : Vada Russell

Giám đốc nghệ thuật giám sát : Johnny Hinkle

Sản xuất : Leane Harbir

Nhà sản xuất : Voletta Shayna

Nữ diễn viên : Dahlia Linxi



The ultimate X-Men ensemble fights a war for the survival of the species across two time periods as they join forces with their younger selves in an epic battle that must change the past – to save our future.

7.5
10913






Tên phim

X-Men: Days of Future Past

Thời lượng

184 minutes

Năm sản xuất

2014-05-15

Trạng thái

FLV 1440p
DVDScr

Thể loại

Action, Adventure, Fantasy, Science Fiction

Ngôn ngữ

English

Diễn viên

Shanvi
X.
Aliza, Eunice I. Gavreau, Soniya H. Lacey





[HD] X-Men: Days of Future Past 2014 Full Trọn Bộ Vietsub



Phim ngắn

Chi tiêu : $048,142,829

Doanh thu : $950,768,590

Thể loại : Tình yêu bị cấm đoán Phim truyền hình hàng hải - Chủ nghĩa xã hội , Melodramma telefilm - Ô nhiễm , Quân đội - Xăng dầu , Bài phát biểu - Người vô thần

Nước sản xuất : Na Uy

Sản xuất : Tương đương



**Year of release** 2014 **Directed by** Bryan Singer **Written by** Simon Kinberg **Starring** Hugh Jackman James McAvoy Michael Fassbender Jennifer Lawrence Peter Dinklage Ellen Page

**X-Men: Days of Future Past** (rating: 4 ++)

**Plot** - In a dystopian future of 2023 where mutant-kind has been all but wiped out by powerful robots known as Sentinels the last surviving mutants launch one final attempt to save their species from extinction. Hiding out in a monastery in China, Kitty Pryde (Page) sends Wolverine's (Jackman) consciousness back in time to 1973. His task is to prevent Mystique (Lawrence) from murdering the Sentinels' creator Bolivar Trask (Dinklage). His murder made him a martyr and ensured that his destructive creation went into production. In addition, Mystique is captured in the process and her DNA used to engineer even more powerful machines. By stopping the murder the hope is that they will change the future and save their species. Seeking out the young Charles Xavier (McAvoy) Wolverine is despondent to find that he is not the man he will come to know decades later. With Xavier a broken man, Wolverine's first challenge is to help him find his old strength. The next challenge isn't one that sits all that well with Xavier; they must break Magneto (Fassbender) out of a prison cell beneath the Pentagon. To do so they enlist the aid of Quicksilver (Evan Peters), a mutant with superhuman speed. With Magneto and Xavier once again standing side-by-side they head to Paris to attempt to stop Trask's murder at Mystique's hands, but will they make it in time?

In a fitting move considering the storyline of this film allow me to go back in time to the year 2000 where I can still remember going to see the first X-Men film in August of that year. Hard as it may be to believe, the big superhero film was not the guaranteed box office success they are nowadays. Following the disastrous reception that met 1997's Batman & Robin the superhero genre was on life support, and another big failure could have seen the plug pulled. Thankfully for all us fanboys out there the film proved to be both a critical and commercial success, kicking off a surge in comic book films which has seen them come to dominate the box-office. Well somehow 14 years have passed since then (and I can't quite believe that :eek:) and we now have the 7th film in the X-Men franchise. Now since the solid start of X-Men the series hasn't exactly been the most reliable in terms of quality and has been rather overshadowed by the Batman's, Spider-Man's, Iron Man's and Avengers' of this world. In truth you could probably split the previous 6 films evenly into 'the good' and 'the not so good'; though to be fair to The Wolverine which I'd put in the latter category it's pretty decent. Well as the 7th film in the series this was always set to break the tie and the good news is that it has swung the pendulum very much towards the positive side of things.

That said however I didn't find that I was quite as high on the film as many other people seem to be. As seems to be the case for just about every other superhero film these days, the release of DoFP has seen many people instantly jump on the bandwagon of proclaiming this the best superhero film ever. While I certainly wouldn't go that far this is an extremely entertaining entry into the X-Men franchise, and one that continues the upswing of First Class. The film does open in absolutely thrilling fashion and ends quite strongly as well. In between these wonderful bursts of action though I just found that the film had a tendency to fall into a lull on a couple of occasions. With its complicated story the film has to spend a lot of time trying to keep things clear for the audience, which sadly results in the situation and the stakes being reiterated time and time again. It just threatens to get bogged down by becoming overly talky, derailing the momentum and in general I didn't feel it was as well paced as Captain America: The Winter Soldier for example. An additional action sequence or two I don't think would have gone amiss. I also feel that it perhaps lacked the colour, energy and sense of fun of X-Men: First Class. Some of that comes from the fact that I didn't feel DoFP embraced its period setting to the degree that First Class did which on more than one occasion felt like a Sean Connery Bond film. A few snazzy outfits and some brief touches upon the Vietnam War aside I don't think it really exploited the 70s era to the fullest. And I think the Vietnam sequence was actually amongst the film's weaker moments; an unnecessary detour which could easily have been left on cutting room floor.

As I mentioned, the opening sequence of DoFP is a terrific way to kick the film off; in fact I think its got to be one of the best opening gambits of any superhero film. The film instantly drops us right into the middle of a Sentinel attack upon the X-Men in the future; making for an absolutely thrilling opening. It's a wonderfully creative sequence that features some genius choreography as the hitherto unknown Blink (played by Fan Bingbing), with her ability to create teleportation portals, emerges as one of the most visually dazzling mutants we've seen so far throughout the series. It's a terrific set-piece that the film arguably never matches for the next two hours, at least in terms of action and excitement; there is a sequence however that is fantastically entertaining which we'll get to later. The big finale then aims to be and mostly achieves feeling like a suitably epic affair that encapsulates Sentinels, the White House and the RFK sports stadium. At the same time the film is also jumping back and forth between this and the future where the Sentinels have once again launched an assault upon the X-Men. The only problem, and one that is in complete contrast to other superhero films such as Man of Steel, is that I didn't feel its concluding battle was quite long enough. The two competing sequences feel like they are slightly lacking in action and drama, and are over too soon.

**Film Trivia Snippets** - In reference to the X-Men member Kitty Pryde, and her importance to this particular film, DoFP was shot under the working title of “Hello Kitty.” /// Days of Future Past is based on a storyline of the same name that appeared across two issues of Uncanny X-Men in 1981, and was written by Chris Claremont. It is now the fourth film to be based on a story penned by legendary X-Men writer Claremont. X2 was adapted from 'God Loves, Man Kills'; X-Men: The Last Stand was based on his 'Dark Phoenix Saga'; and The Wolverine was based on his comic of the same name. In the comic the future world was set in the year 2013, the same year in which filming for the movie version began. /// The bullet wounds that appear on Wolverine's chest on his arrival to the 1970s is in the form of the Big Dipper. This is an homage to the 1980s anime series, Fist of the North Star, whose protagonist Kenshiro has the same scar pattern on his chest. /// Prior to making the film, Bryan Singer had a two-hour discussion with James Cameron abut how to make a time-travel concept feasible and workable within the film. Thanks to Cameron's experience as the director of The Terminator and Terminator 2 the two discussed concepts including alternate universes and string theory (a field of quantum physics that define multiple universes). /// It's quite clear just by looking at the credits that this is one hell of a cast that's been assembled. If you're looking for more proof however then how about this; the four main female X-Men in the principal cast (Halle Berry, Jennifer Lawrence, Ellen Page and Anna Paquin) are all Academy Award nominess, while the six principle male cast members (Hugh Jackman, Michael Fassbender, James McAvoy, Ian McKellen, Patrick Stewart and Peter Dinklage) are all Golden Globe nominees.

With such a prestigious cast at Bryan Singer's disposal it's no surprise to find that performances across the board are generally of a high standard. Though the sizeable cast means that not everyone gets an equal chance to shine; Halle Berry's involvement for example is little more than a cameo. In fact I'm struggling to think if she even had a single line throughout the whole film or if all she did was make it rain a little bit. And the whole future ensemble are almost completely sidelined, meaning that the established regulars are given little to do other than spout some exposition, while the various new additions (Bishop, Blink, Warpath, Sunspot etc) are given absolutely no introduction whatsoever so we have little reason to care about them or mourn their demise. In fact for the majority of them I'm not even sure there names are known until we get to the closing credits. The lack of exposure given to the future timeline was certainly a disappointment. As a result it's in the past where the most noteable performances come from with solid efforts coming from Lawrence, Fassbender, Jackman etc. However the one individual who is able to stand out from the crowd for me would have to be James McAvoy who I thought was just excellent as the young Charles Xavier. The fact that he is given the strongest characterisation and the most to work with certainly helps. We initially find him as this supremely broken individual who is in great pain both physically and emotionally, but with help from Wolverine he is able to find his way back onto his path.

The two most notable additions to the X-Men world this time out were Evan Peters' Quicksilver and Peter Dinklage's Bolivar Trask. And as it turns out the end result for both was completely flipped from what many were predicting beforehand. The promo images for Quicksilver had fanboys already sharpening their knives before the film had even hit cinemas, ready to tear into him with the kind of fervour reserved for Batsuit nipples and Ben Affleck. And yes I have to say that his appearance still comes across as rather bizarre and stupid, kind of like Julian Assange as styled by Lady Gaga. As a character however he kind of kicks ass, his introduction arguably being the coolest addition to the franchise since Alan Cumming's Nightcrawler back in X2. And just like Nightcrawler had with his incursion into the White House, Quicksilver is given the spotlight all to himself at one point to really make a name for himself. This time it's a break-out from the Pentagon where his incredible speed comes into its own with a terrifically fun and inventive set-piece that allows him to steal the film from his more illustrious co-stars before sadly disappearing shortly afterwards. The way he is just written out is rather disappointing and feels like it's only been done to help free up space for everyone else. It does however leave the audience wanting more, so it's good news that he's going to be starring in X-Men: Apocalypse. My only concern about the character is whether they've actually made him too powerful. They show his abilities as being so strong that you imagine he could destroy any mutants, even the likes of Magneto and Xavier, before they even had the chance to respond.

The real disappointment amongst the cast is Dinklage's Trask. Now Dinklage is a great actor, no doubt about that, and I think he personally does good work here. It's just that the character he is lumbered with here I felt was a little bit dull to be honest (particularly for the film's supposed 'big bad'), giving him very little to really sink his teeth into. That also creates one of the film's few main flaws in my eyes; the lack of a strong villain. Trask kind of takes the place of Senator Kelly from the first X-Men film, but that film also had Magneto and his Brotherhood of Mutants as villains. While the future X-Men do face off against the considerable threat of the Sentinels they are a fairly blank entity devoid of an actual character or personality that can interact with the X-Men. Which is not to say they are not effective foils for our mutant heroes, you just get the feeling that there should be big bad in charge of deploying and controlling those machines. In terms of design the Sentinels may disappoint and likely anger the real X-Men fanboys out there, baring little resemblance to their comic book counterparts. In fact they aren't a million miles away from The Destroyer as seen in the first Thor film. However I don't think there's any denying that they most certainly do make an impact; in fact they are rather chilling, unsettling creations. The fact that the X-Men suffer some very violent, nasty deaths certainly heightens that feeling.

**Film Trivia Snippets** - Bryan Singer talked about "changing history" in an interview with Empire Magazine(May 2014). The director stated "I don't want people to panic about us erasing the movies. I believe in multiverses," explaining the possibility of certain events as they would be part of the history of alternate universes. /// In the "Days of Future Past" comic it was Shadowcat (Kitty Pryde) who went back in time; in the film it's Wolverine. According to writer Simon Kinberg, Kitty was intended to be the time-traveller but it didn't work out: "Kitty in the era of young Magneto and Xavier, would have been negative 20 years old. The reflex response to that was a character who doesn't age. Wolverine is the only character who would look the same in 1973 as he does in the future." Thus, Wolverine was picked for being an ageless immortal character who would bridge past and future. /// To create the sensation of Quicksilver's incredible speed ability Bryan Singer filmed his scenes in a special format of 3600 frames per second. This means that Quicksilver will be moving 150 times faster than normal. /// Josh Helman was originally going to be cast as a young Cain Marko/Juggernaut. But Juggernaut was written out of the film, and Helman was offered the role of a young William Styker. /// Bryan Singer based Bolivar Trask on Adolg Hitler; “As Hitler used the Jews as a scapegoat to bond the darker parts of Europe, he's doing the same thing with mutants. But he wasn't a six foot, perfect blond Aryan - he was a short, funny looking fellow!”

Now considering the fairly dense and complicated storyline that encompasses two timelines and what feels like dozens of characters I think that the film's writer, Simon Kinberg, actually does a fairly commendable job of keeping everything in some kind of balance and managing to just about ensure that it all makes some kind of sense. And considering the twisted mess of continuity that he has had to deal with it would perhaps be unfair to poke holes at it. But hey these are films for comic book fanboys, what do you expect but for us to nitpick! :D The film is still unable to address a few niggling questions, perhaps because that continuity mess makes it almost impossible to actually do so. However questions still linger such as how exactly is Charles Xavier still alive after being killed off in X-Men: The Last Stand? What's the deal with Wolverine's claws and their constant shifting back and forth between adamantium and bone? Still no explanation as to why Xavier and Mystique didn't appear to know each other in the original trilogy, but were so incredibly close according to these films etc. The script has to spend so much time just trying to establish the story that there is little chance to focus on the actual characters at its heart. As someone who loved the Magneto-Xavier relationship and interaction in First Class that's a shame. And it feels like there is barely a single line of dialogue in the whole film that isn't exposition

The script also fails to address a few new issues, just completely glossing over them perhaps in the hopes that we just won't notice. For example when and how exactly did Ellen Page's Kitty Pryde get the ability to send people's consciousness through time? And perhaps it's just me but the whole plot point (and it's a very important one) about Mystique's blood being so vital in the development of the Sentinels seems rather vague and questionable in its logic. If they were going to go down that route I feel Rogue would have been a somewhat more logical choice given that her ability is to replicate the powers of other mutants, not just change her physical appearance. It kind of came across as them just trying to shoehorn Mystique into being as important as possible to the film, largely inspired you suspect by the meteoric rise of Jennifer Lawrence since First Class. In fact with Hugh Jackman getting on in years, and his days as Wolverine coming to an end, the search is on to perhaps try and find the new face of the franchise. With Channing Tatum set to take on the character of Gambit he seems like a decent bet to take over that mantle. However with Days of Future Past they certainly seem to be positioning Jennifer Lawrence as another possibility to take on the role if she were to extend her current deal. I doubt anyone would ever have predicted Mystique being pushed to the fore in such fashion. Oh and just as another little nit-pick; was I the only one who thought the make-up job for Mystique looked rather s*itty this time out? I think it looks a lot more fake now than it ever did even 14 years ago.

Just a few more thoughts to wrap up. After the fresh start that was First Class, bringing Wolverine back and once again making him a central figure feels like a little bit of a step back. While he's only had two official solo films this almost films like the 6th Wolverine-focused film we've now had in the series. And if you're going to bring him back I think you should at least use him correctly. His strongest feature for me is as a brutal, kick-ass warrior, but DoFP actually gives him surprisingly little opportunity to unsheathe those iconic claws of his, placing him more in the role of a diplomat trying to keep the peace between Magneto and Xavier. The fact that the film kills so many of the mutants introduced in First Class offscreen I found quite disappointing. And the use of Blink's portals aside I didn't think the film quite captured the same team dynamic that was present in First Class, with several of the team going off on solo missions or taking their enemies out all by themselves. And now a couple of other little things that I liked. While we get to see very little of it the wasteland that the Earth has become in the future dystopia is a very effective and stirring touch, and one that evokes the future war as seen in the Terminator films. Oh and one little touch that I really loved was the film recreating newreel footage of the decade to match actual footage from the era. It comes off looking like the Zapruder JFK film.

Amongst fans of superhero films, 2008 is seen as a bit of a holy grail for the genre; the release of both The Dark Knight and Iron Man, two of the most acclaimed and loved entries so far, gaining it that reputation. 2014 has so far seen the release of two great efforts (The Winter Soldier and Days of Future Past); if Guardians of the Galaxy lives up to the promise of its trailers then we could have a new contender for that title of comic book movie's holy grail year.

**Conclusion** - I know I've been pointing out a lot of flaws with the film in this review (perhaps as a response to all the gushing over it) but the truth is I did still find it to be an extremely entertaining addition to the X-Men series. As a result of some of those flaws however I'm not quite as high on it as many other people seem to be. For the moment I would have it in 2nd place amongst 2014's superhero flicks behind the excellent Captain America: The Winter Soldier, and after one viewing it would slot into 3rd place amongst the X-Men films.

One thing I should definitely add however is my condition when watching it. As I have been for a great deal of time recently I wasn't feeling particularly great when I went to watch it; feeling rather run-down and a bit yuck. So that perhaps hindered my enjoyment slightly,meaning there's a chance that score could rise on a repeat viewing.



**Bonus Film Trivia** - Patrick Stewart and Ian McKellen were performing in a touring production of "Waiting for Godot" when Bryan Singer approached the actors about reprising their respective roles as Professor X and Magneto. According to McKellen, both men were utterly shocked as they thought they'd passed their roles on to James McAvoy and Michael Fassbender, and would never play the characters again. Both Stewart and McKellen were delighted to return to two of their most popular roles, and to work with the younger actors playing the same characters as well. /// When Matthew Vaughn was going to direct, he was going to make the film a direct sequel to X-Men First Class and have it set in the 1970s. Early ideas included an opening with the Kennedy assassination being caused by Magneto, and mutant encounters set in the Civil rights movement/the Vietnam War. When Singer took over, he integrated these concepts into a viral marketing campaign to set up the action of the film. In this alternate history, Magneto is arrested and imprisoned for the assassination of Kennedy, but maintains his innocence. The "Bent Bullet" Theory (a reference to the real life "Magic Bullet" Theory criticized by conspiracy theorists) holds that the Warren Commission determined that Magneto manipulated Lee Harvey Osawld's bullets to kill the President in retribution for the murder of the mutants Azazel and Tempest by the CIA. Conspiracy theorists, based on Magneto's testimony, insist however that Magneto had tried to prevent the murder of Kennedy, and that the true shooter was not Oswald, but Mystique in disguise who, with the help of Emma Frost framed Magneto, and manipulated Jack Ruby into later murdering Oswald. The theory also posits that Mystique offered to double as Kennedy in an attempt to grab power, all of which backfired horribly, leading to anti-mutant hostilities.
Not as good as the previous X-Men movies but it has a pass... Jennifer Lawrence doesn't even get close to Rebecca Romijn. Also, Michael Fassbender and James McAvoy are really far from their senior characters performed by Ian McKellen and Patrick Stewart but the rest of original cast from first 2000's movie are great, as always.
This is a good and very enjoyable movie which, to me, was a bit surprising since I generally find that time travel is akin to sticking your foot in some messy and smelly stuff. It almost always screws up the movie in some way or another. This one was not without its faults but it did survive becoming too screwed up by it.

The opening scenes are indeed somewhat impressive throwing the viewer directly into an apocalyptic future where mutants as well as human are rounded up by sentinels. I could not help but think about Terminator during these scenes. Maybe not very original from a general point of view but the dark and gloomy opening was not the opening scenes I would have expected from an X-Men movie.

Then we, unfortunately, dive straight into some time travel when they send Wolverine back to 1973. This is of course a opportunity to make yet another twist of the mutant scare, mutants hunt, a good mutant is a dead mutant etc. story that we have seen in so many movies now. The main adversary changes but the general story idea stays the same and the arguments for hunting down the mutants are as silly as ever. Quite frankly, I find that angle a wee bit overdone and boring by now.

Luckily the story is fairly well implemented. The scene were Wolverine wakes up and disposes of the three thugs are rather funny. Pretty standard stuff but pretty funny nevertheless. The part where they retrieve Magneto is quite nice and the scene down in the Pentagon where the guards and everything else is “frozen” while Maximoff calmly walks around and rearranges things is outright hilarious.

I quite disliked the cheap twist where Magneto just decided to go amok and screw things up just when they were about to retrieve Mystique though. They could have spent some time coming up with a better way to twist the story at that time. The idiotic stuff with Wolverine getting a fit at the same time was just adding to my annoyance with that scene. This part is the main reason I will not give this movie a top score.

Apart from this scene the movie is a very well done superhero movie with lots of nice special effects. Sure it is also rather predictable but most people, including myself, do watch these movies mostly for the effects after all. As long as the plot is not downright stupid it get to pass.

Time travel. Okay, I have to harp a bit about time travel. I do not like it in movies because there are too many things that just does not add up. In this movie it is not too bad and most of the time the actual time travel aspect is kept out of the action. Wolverine goes back in time, does his stuff with a lot of action, and saves the day. Sure the dialog often comes back to the “I’m from the future” aspect but not much more. One thing annoys the hell out me though. Wolverine affects a lot of events while he is back there but not a single things seems to change in the future until one single event passes at the end of the movie. Then everything changes and it is happy ending. That is the kind of nonsense that time travel in movies ends up with.

Bottom line is that this is a very enjoyable movie. Without the rubbish plot twist in the middle it would have gotten 9 or 10 stars.
ok..i like all the x-mens except the last one. Logan. That was horrible. a 8 out of 10 for this
***Focuses on the best characters and an interesting story***

"X-Men: Days of Future Past" (2014) starts in an apocalyptic near-future where mutants are being wiped out by Sentinels, government-made robots created for this very purpose. The X-Men and Magneto decide to send Wolverine's consciousness back to his body in 1973 to prevent the Sentinels from attaining their mutant-killing powers.

This is easily one of the best X-Men films because of the interesting plot and the focus on the most interesting characters. Wolverine (Hugh Jackman) has been the top X-Men since day one so you can't go wrong with making him the focal point. James McAvoy and Patrick Stewart are excellent as Professor X, as are Michael Fassbender as young Magneto, Jennifer Lawrence as Mystique and Evan Peters as Quicksilver, the latter in a small but highly entertaining role. Nicholas Hoult as Beast gets an honorable mention and Bingbing Fan is notable as Blink, particularly her stunning face.

The plot is convoluted and yet easy to follow if you're familiar with the franchise's story arc. The film is all-around compelling. It has the confidence to slow down and be pensive while throwing in the requisite thrills and not forgetting to be entertaining. For instance, the creative and amusing way Quicksilver takes down a bunch of security guards at the Pentagon, which is one of the movie's top scenes. Lastly, I like the way Magneto’s great power is illustrated (you’ll see what I mean).

The film runs 2 hours, 11 minutes and was shot in Québec, Canada.

GRADE: A


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